Pride and Prejudice Quotes

The picture-gallery, and two or three of the principal bedrooms, were all that remained to be shown. In the former were many good paintings; but Elizabeth knew nothing of the art; and from such as had been already visible below, she had willingly turned to look at some drawings of Miss Darcy’s, in crayons, whose subjects were usually more interesting, and also more intelligible.
In the gallery there were many family portraits, but they could have little to fix the attention of a stranger. Elizabeth walked in quest of the only face whose features would be known to her. At last it arrested her – and she beheld a striking resemblance to Mr. Darcy, with such a smile over the face as she remembered to have sometimes seen when he looked at her. She stood several minutes before the picture, in earnest contemplation, and returned to it again before they quitted the gallery. Mrs. Reynolds informed them that it had been taken in his father’s lifetime.

– Jane Austen

Pride and Prejudice, Chapter 43. There is much homage to family in Darcy’s portrait gallery in Pemberley, Elizabeth discovers when she views it. Many family portraits are on view. Elizabeth is interested in the drawings of Georgiana but is particularly drawn to the portrait of Mr. Darcy himself. She stands for several minutes before Darcy’s likeness in deep contemplation, even returning for a second look after they quit the gallery. Darcy is wearing the same smile that Elizabeth remembers when he sometimes looked at her. Elizabeth learns from the housekeeper that the picture was taken in his father’s lifetime.

If gratitude and esteem are good foundations of affection, Elizabeth’s change of sentiment will be neither improbable nor faulty. But if otherwise – if regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged, nothing can be said in her defence, except that she had given somewhat of a trial to the latter method in her partiality for Wickham, and that its ill success might, perhaps, authorise her to seek the other less interesting mode of attachment. Be that as it may, she saw him go with regret.

– Jane Austen

Pride and Prejudice, Chapter 46. Here Austen discusses how Elizabeth’s love for Darcy has grown and evolved. Two ways that she could fall in love are described: love built on a foundation of gratitude and esteem, and love at first sight. Elizabeth has tried the second way with Wickham and admits that it has had no success. But Elizabeth’s affection for Darcy has followed the first path – a "less interesting mode of attachment" – and is built on the gratitude and admiration she feels from getting to know Darcy. This passage speaks to the theme of first impressions. It examines the way people can sometimes misread and misunderstand others by hastily making up their minds based on first impressions – like Elizabeth does. When the novel was originally written in 1796-1797 it was titled First Impressions. That was changed to Pride and Prejudice when it was first published in 1813.