I’m not really interested in music. Music is just a means of creating a magical state. – Robert Fripp
Music can be transformative, utterly transformative. The act of music is utterly transformative. – Robert Fripp
According to USA today, the average length of an attention span of a man in America is 23 minutes. – Robert Fripp
If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no. – Robert Fripp
The perception of the audience is the interesting part. If the audience doesn’t hear what is going on, is it going on or not? – Robert Fripp
And if you are playing in several meters at once, there has to be a – not a rigid – but there definitely has to be a reference to a common pulse in the band. – Robert Fripp
In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can’t name it, it means you don’t recognize it. – Robert Fripp
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not? – Robert Fripp
However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously. – Robert Fripp
But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training. – Robert Fripp
Now, if King Crimson accepts responsibility for innovating its own tradition, you can’t accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert. – Robert Fripp
If you are playing repertoire material, you’re stuck. There’s not huge amounts you can do. – Robert Fripp
The spoken form is in fact a very restrained representation of what is possible in the musical language. – Robert Fripp
Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible. – Robert Fripp
The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time. – Robert Fripp
What is necessary is possible, what we want is expensive. What is unnecessary is unlikely. – Robert Fripp
So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending. – Robert Fripp
Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language. – Robert Fripp
I recommend my students not to be professional unless they really have to be. I tell them, ‘If you love music, sell Hoovers or be a plumber. Do something useful with your life.’ – Robert Fripp
Being a professional musician doesn’t mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who’ve stolen your interests, or fending off hostile lawsuits from former members of the band. – Robert Fripp
I couldn’t concentrate on music. So I made the choice to give up my career as a musician in the frontline to deal with the business. – Robert Fripp
To me, Bill’s musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit. – Robert Fripp
