The worst moment in my life was when I was seven years old and I discovered that there was a thing such as racism. You don’t know you’re different until someone lets you know. – Sanjeev Bhaskar
Because of my Asian-ness, I couldn’t be anonymous – what I said, what I ate, what I did at the weekend were startlingly different to what everyone else did. I was also a performer, quick and chameleon-like, good at accents, so that made me stand out. – Sanjeev Bhaskar
I was far too embarrassed to share the experience of Indian food at school. As a kid, you’re desperate to fit in, to assimilate in some way, and everything about me stood out. – Sanjeev Bhaskar
Good drama, challenging drama – and comedy for that matter – has a place in the daytime schedule. – Sanjeev Bhaskar
I’ve always felt I had to prove myself, and now it has become second nature. When I first went to university, I took lodgings with a woman who said, ‘What are the chances of you staining my pans?’ I said, ‘I don’t think I understand the question…’ and she said, ‘When you cook your curries.’ – Sanjeev Bhaskar
Casting me as King Arthur was quite bold of ‘Spamalot’s producers, although it has been historically proved Arthur was Asian, and that Sunday trading started with Asians in 11th-century Britain. – Sanjeev Bhaskar
One of the benefits for me of starting late in this business is I realised that if acting was the only thing I could do, I would struggle, so I always wrote as well. – Sanjeev Bhaskar
I started working myself from about 14, really, so I wasn’t a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started. – Sanjeev Bhaskar
Both my parents were migrant workers who came to the U.K. in the Fifties to better themselves. The culture I grew up in was to work hard, save hard and to look after your family. – Sanjeev Bhaskar
When we created ‘Goodness Gracious Me,’ it was quoting ‘Python’ and Woody Allen lines that really bonded the writers, and the ‘Spamalot’ material is so utterly, wonderfully surreal that it hasn’t dated. – Sanjeev Bhaskar
My head is in India, yet my body remains in Britain. I straddle the world like a colossus. Like a 5ft. 7in. colossus. – Sanjeev Bhaskar
I think family, friends and a sense of community give you greater happiness than money. But, of course, one has to have a minimum on which to live. The joy I get from sitting around and having a laugh is immeasurable – much greater than anything that I have ever bought. – Sanjeev Bhaskar
It always interested me that ‘Goodness Gracious Me’ and ‘The Kumars,’ when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure. – Sanjeev Bhaskar
Michael Bates was a very funny actor; he’d served in India, could speak Urdu, and had great comic timing. – Sanjeev Bhaskar
‘The Kumars’… played on five continents, and even when I came up with the idea, I was slightly surprised that no one else had. – Sanjeev Bhaskar
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don’t know the culture and therefore can’t write about it. By and large, if there’s an Asian character, I might get a call. But if the character is called ‘Philip,’ the chances are I won’t. – Sanjeev Bhaskar
There are occasions when I’ve had beef, but I generally tend to avoid it, as a nod towards my parents’ culture. – Sanjeev Bhaskar
I was greatly influenced by ‘The Goons’ and ‘Monty Python’ reconstituting what comedy was – it could come from a funny word, not just a set up and a pay-off. I liked the zaniness; they were satirical, slightly saucy and very literary in their references. – Sanjeev Bhaskar
I’ve always saved. I believe in keeping money back for a rainy day and living within my means. I don’t buy expensive clothes; I have a 10-year-old car I’m hoping to replace when a big job comes in. I suppose when we do go on family holidays, I am quite happy to spend when we are there. – Sanjeev Bhaskar
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, ‘Actually I do look quite similar to everyone else.’ At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I’ve got an empire. – Sanjeev Bhaskar
I was the first member of my family to cross into Pakistan and find his ancestral village. – Sanjeev Bhaskar
I’m sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else – so the one thing that set me back was being Indian. And I couldn’t do anything about it. – Sanjeev Bhaskar
My mum thought my TV and film addiction was laziness. If you’re an immigrant, you know you’ll never be an accepted part of society, but you hope your children will be, and you try to make them essential to the community in a practical way – being a doctor or a lawyer. Acting was beyond their comprehension. – Sanjeev Bhaskar
With ‘Mumbai Calling,’ I was surprised it was ITV that went for it because it didn’t traditionally seem like the kind of programme they would make. – Sanjeev Bhaskar
I have issues with inheritance tax, particularly coming from a migrant family. My dad has worked incredibly hard all his life, so it seems odd to me that someone who has gone through that experience and has managed to save then gets taxed for dying. – Sanjeev Bhaskar
Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn’t more representation. – Sanjeev Bhaskar
